Rafael A. López

︎ ︎ ︎



selected work

︎︎︎film/video

︎︎︎graphic design

︎︎︎storyboards



Rafael Alejandro López is a Swiss-Venezuelan filmmaker and graphic designer, based in Los Angeles.

Raised between countries in seemingly perfect opposition, López’s personal work explores flawed political systems and the duality of the human condition. Through the micro-lens of human experiences, López’s aesthetic osciliates  between absurdism, fiction and realism.

Heavily influenced by Nina Menkes’ teaching throughout their time at CalArts, López’s approach to filmmaking strives to combat the pre-established patriarchal norms of mainstream visual language by centering humanity over entertainment.

Aside from filmmaking, they hold an odd passion for sandwich making, and might just end up opening a bodega in Washington Heights.










︎ TRAILER & CROWDFUNDING CAMPAIGN ︎


Help support the mustache takedown! We’re in the final stretch of editing and post production, but we need your help. Click the link above to access our crowdfunding campaign. We would love to have you part of our Bigote family!

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 about


In the chaos of a humanitarian crisis, a woman struggles to access vital government food support for her family. As she faces the obstacles of a broken system, her young nephew is captivated by an authoritarian leader who absurdly presents himself as: Super Bigote.

As a Venezuelan-Swiss filmmaker, López's work explores the duality of the human experience within flawed political systems.

For "Bigote", rather than adopting a documentary format, López opted for the creation of a relatable yet fictional protagonist –inspired by family members– allowing audiences to connect on a deeper level, thus, transcending language and cultural barriers. While the film's premise is rooted in a very specific situation faced by the Venezuelan people, the challenges of navigating bureaucracy are universal. This shared experience invites a broader audience to connect with the story, beyond their cultural background.

Mainstream media has a long history of not only diabolizing the Latino community, but using Venezuela as synonym of danger for the sake of entertainment. This film aims at centering humanity over entertainment, while tracing parallels between Venezuela and the Economic Empires who point an accusatory finger. Ultimately, stuck between violence from both the government and gangs; hyper-inflation; food shortages; lack of essential services and more, there are human beings fighting for a better tomorrow.





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